Showing posts with label publishing. Show all posts
Showing posts with label publishing. Show all posts

Friday, 9 March 2018

Setbacks and forward motion




Setbacks and forward motion.

I believe that every cloud has a silver lining, but the positive isn't always easy to see immediately. It seems to gently ease itself out into view and we may wonder why we didn't see it in the first place but sometimes it seems we can be initially blinded by disappointment.

Every cloud has a silver lining.


It has been like this for me a few times now during my mission to write a book. The book is about how people connect to place through walking. It is a simple enough concept but every day it seems more books are published around a similar theme, as nature writing is currently one of the largest growing sectors in publishing.

Having now ruled out traditional publishing routes I have discovered another way that I can create a book to share with others. This week I went back to Intra in Rochester, Kent and learnt a new printing process that would allow me to hand produce small batches of my book. It was highly enjoyable day and I can see it being creatively more satisfying than outsourcing the work to others.

Moving forward.

The book was going to be a traditional hardback, an A5 size landscape-formatted design that would have required a higher personal financial investment from me and I believe this new idea is far better for the subject of the book: it just works.

The only potential problem I have is that the images that I carefully chose for the original format will not work in this new way. But, as we say, every cloud has a silver lining and I know in time it will be a bonus when I work out the solution.

Watch this space!

My Straw-bale studio, open on the 17th of this month.


And a reminder; my 'Hearth and Home' exhibition is open to all and will take place on Saturday the 17th of March from 11-5pm in my straw-bale studio. The studio has a Facebook page of its own, to look at its 'life story', www.facebook.com/Green-Build-Tankerton
I run art and design workshops throughout the year. These can be either 1:1 or for a small group and I charge from £15 per hour.
My own personal art page can be found at www.facebook.com/RoseClarityArtist I can be contacted on 07432679164 or clare@people-to-place.co.uk

Saturday, 21 February 2015

Women, Walking and Wellbeing






Women, Walking and Wellbeing
Last Monday I held the first of my walking workshops. This one, ‘Women, Walking and Wellbeing’, looks at our attitude to walking, here in the UK, and includes exercises on creative way-finding and place making and introduces the art of Psycho-geography.

Woman walking.

Colourful and textural detective work.

It went well and everyone enjoyed themselves, the venue worked and the coffee and cake was appreciated. On refection, I find that it is only when I am actually running workshops that the content and engagement can be improved.
 
Finding landmarks.
I went to see Germaine Greer at a new arts venue, The Quarterhouse, in Folkestone last week and found her talk ‘The Disappearing Woman’ interesting but quite sombre. What I decided I would take home from the talk was a determination to make more women visible. So, let’s get out there, get walking, see and be seen!

Some interesting 'clues' to navigate by.

Everyone on my course said a main part of the enjoyment of the day was meeting other like-minded women.This is important.

Learning by Doing
It is through doing courses that they evolve into something quite inspiring for both the facilitator and the participants. I have now changed the time frame and the subsequent costs, tightened up the content, added more dates (next date is 30/03/15) and created a workshop package for each participant to take away with them.



Using modern methods and post-it notes!

I am away next weekend at The Eden Project in Cornwall. I am really looking forward to it, it is a ‘Big Lunch Extras’ event and it supports people ‘to bring about positive change in neighbourhoods right across the UK’. There will be ‘an interactive and varied timetable of workshops, activities and inspirational speakers alongside time to explore and network with others.’ This feels to me like the perfect timed opportunity to participate.

Foreshore detail: low sun, tide running out.

Foreshore, larger view.


I am getting a clearer vision of how my MA Design research and subsequent work is going to evolve into a far reaching and positive ‘movement’ for many. I want my work to be improved by attending courses and events such as this one, but I am also keen to make a living by it. I haven’t applied for any funding yet, as the actual vision needs to be very focused and clear on who it is for, where it will be, what it is exactly and how it will be applied. I feel that I am so close now.

Writing
I am starting with a book which will be finished by early May and the writing of it will be funded by a crowd-funding campaign. I have been researching about crowd-funding for a while and followed some very successful ones on social media. It is not easy but it is possible. The campaign also identifies the market and is therefore very useful if/when approaching a publisher.

On of my paintings was published in last years 'Earth Pathways Diary'.

I have been looking at the possibilities of self-publishing too. There are many online options; one that has been recommended to me is ‘Lulu’. The initial problem I can see of using this ‘platform’ is that they only produce books with glossy covers. Strangely this bothers me, I expect my book to be beautiful to look at, I have a wealth of images that I can use which include photographs and my own and others original artwork.

Beautiful Books
Even when I used to get my photos developed back in the day of processing labs, I used to prefer the matt finish over the glossy one. So I realise that the aesthetic of the book is as important as the content, to me. I have been looking through many of my own books at home and others in libraries recently, pondering their shape, style, weight, layout etc.

Even the form of the words on the page can be evocative and beautiful.

Page from a 1950's book of the countryside, showing page border detail.

There are many that I own because how they look appealed to me first. There are others, but few, that have comprehensive and valuable text, but are a bit clumsy in their look.

One of the shop displays showing some books back in 2014.

I think the feel of a book and its content are both important. My friends own a shop called ‘Number Seven’ in Dulverton, Somerset and I know that they are persuaded by this too.



A wonderful book that I am working through at the moment. I don't know whether Number Seven stocks this one.

This book I know is stocked there. Such a beautiful cover.

Their bookshelves are full of the most exquisite books, colourful, beautiful and precious. Davina also organises a ‘Walking Book Club’ that takes people out into the surrounding wonderful wild countryside, to discuss the book that they have all been reading.

Photo by Davina Jelley, taken at one of her walking book clubs, a couple of years ago.

The club is open to all, the books are available from the shop, to buy and there is a welcoming atmosphere to all that join in.
So next time I will blog, it will be after my Eden experience. Hopefully I will come back inspired and enthused for setting up more local projects, engaging others and connecting people to place.

(I completed my MA in September 2014 and recorded the last two months of it in another blog called www.thesaltwayfarer.blogspot.co.uk
Please feel free to look at that anytime, as it is from that, that I am where I am now.)