Showing posts with label The eden Project. Show all posts
Showing posts with label The eden Project. Show all posts

Wednesday, 4 March 2015

Walking with Others



 
Walking with Others
I was lucky enough to spent last weekend at The Eden Project in Cornwall as a participant on their ‘Big Lunch Extras’ programme. Eden itself is an inspiring place, the vision and determination of the originator Tim Smit shines through.

Beautiful sky and biomes.

Big Lunch Extras was created as an optimistic and practical response to the growing number of community-minded people who got involved with ‘The Big Lunch’. This was an Eden initiative, which encouraged ‘as many people as possible to sit down and have lunch with their neighbours on one day.’

Eden has some magical quiet areas.

The weekend was packed with wonderful opportunities to learn, network and be supported in our own projects. Stories were told of exciting and worthy projects being set up and running all over the country. I found the weekend to be inspiring, engaging, fruitful and most surprisingly, tender.

Walking the labyrinth together.

Real stories told of how and why people were inspired to make a difference. They were thoughtful and honest. I felt very touched to have experienced the ‘collective genius of the community’, which Rob Hopkins, the initiator of the Transition Network spoke about 8 years ago.
 
Detail of the huge seed at the centre of the Core.
The Core building was designed around the stone 'seed'.



One of the first stories I heard was told by the South East area ‘catalyst’, Rich and it set the scene for the whole weekend. He explained how his daughter loved the story of The Very Hungry Caterpillar so much that he had to read it every night. As she got older she started to ask ‘why?’ to everything. When she asked why the caterpillar got so big and fat and built a cocoon around him, Rich had to ‘Google’ it as he realised he didn’t understand why a caterpillar could change either.

The floor has a tile pattern representing ripples.
What he discovered was the caterpillar has ‘imaginal cells’ within it. These cells ‘wake up’ at a specific stage in its life cycle and become drawn to each other. When enough of them connect they are able to direct the future of the caterpillar which then transforms into a butterfly.
This was a metaphor for all of us in that room. We could be seen as the imaginal cells that have ‘woken up’ and could now come together to create transformative change in our communities.




Theatre of Place
Sue Hill, the Art Director of Eden talked to us about her company ‘Wildworks’ and what she referred to as the theatre of place: the connection between people and place. She told us of many events that were put on in communities and her wish to ‘find wonder as there is always treasure to be found’.

Paths and mounds topped with Snowdrops.

She reminded us of how in the darkest months people are willing to go outside and be involved in an event if there is fire. Light and lanterns have always been used to illuminate the dark in a spectacular way, it creates a focus and ‘touches something deep’. She loves her work and talked about shared experiences, something that I too work with. 

 
Sunny Catkins.
She explained that creating something temporary, together in the community, then burning it, can be great as the memory lives on in the heads and hearts of the group.
She expressed herself in an inspiring way and reminded us to start all projects with love. She told us that when we approach projects and community with love, we create a powerful energy, one of awe and wonder, of recognition and appreciation for being in this extraordinary time and place: right here, right now.

Role Models
Sue Hill could be seen as a role model, she was full of enthusiasm and knowledge for her work and other projects. I wonder what she would describe herself as.

Temporary art created by another participant .

I am many things and I have many roles, in the past I have been criticsized as being ‘fickle’!. So, it was a relief to see another creative mind struggle and overcome this ‘pigeon holing’ of roles. Anne-Marie Culhane, facilitated a couple of workshops over the weekend, one of her first presentation slides was a page of text. It started with ‘In my practice at different moments I am…’
This was a revelation. The page was full of describing words, words ending in ‘ing’, such as painting and exploring, facilitating and performing. They filled the page and described her approach and practice perfectly.

 
The path in the Mediterranean biome.
I may have to do this as an exercise for myself. In listing all of my activity, I think I will find more clarity.

Writing
One of my descriptions could be writing. I write this blog once a week. It is essential to my momentum at getting the walking project moving forward. I will start to reorganise the content from these blogs this week and plan the book that I am going to write. I want to write it before the summer. I know what it will be like, I have a vision of it finished, and this will also protect the content as my IP (Intellectual Property).

 
Cartoonists made postcards of us and our ideas, to share.
I met many people at the weekend who gave me advice and encouragement with my project and book. I also had a mini film workshop, which was great.

Primroses in bright sun.

That could be a real asset to improve upon in the future. I have combined walking and creating fire events with local people over the last three years, these do create a theatre of place that embeds memories and shared experiences, but now I could film them too and increase the audience and hopefully inspire others to do something more, with love.

At the end of the trip, we went to the sea.

(I completed my MA in September 2014 and recorded the last two months of it in another blog called www.thesaltwayfarer.blogspot.co.uk
Please feel free to look at that anytime, as it is from that, that I am where I am now.)

Saturday, 21 February 2015

Women, Walking and Wellbeing






Women, Walking and Wellbeing
Last Monday I held the first of my walking workshops. This one, ‘Women, Walking and Wellbeing’, looks at our attitude to walking, here in the UK, and includes exercises on creative way-finding and place making and introduces the art of Psycho-geography.

Woman walking.

Colourful and textural detective work.

It went well and everyone enjoyed themselves, the venue worked and the coffee and cake was appreciated. On refection, I find that it is only when I am actually running workshops that the content and engagement can be improved.
 
Finding landmarks.
I went to see Germaine Greer at a new arts venue, The Quarterhouse, in Folkestone last week and found her talk ‘The Disappearing Woman’ interesting but quite sombre. What I decided I would take home from the talk was a determination to make more women visible. So, let’s get out there, get walking, see and be seen!

Some interesting 'clues' to navigate by.

Everyone on my course said a main part of the enjoyment of the day was meeting other like-minded women.This is important.

Learning by Doing
It is through doing courses that they evolve into something quite inspiring for both the facilitator and the participants. I have now changed the time frame and the subsequent costs, tightened up the content, added more dates (next date is 30/03/15) and created a workshop package for each participant to take away with them.



Using modern methods and post-it notes!

I am away next weekend at The Eden Project in Cornwall. I am really looking forward to it, it is a ‘Big Lunch Extras’ event and it supports people ‘to bring about positive change in neighbourhoods right across the UK’. There will be ‘an interactive and varied timetable of workshops, activities and inspirational speakers alongside time to explore and network with others.’ This feels to me like the perfect timed opportunity to participate.

Foreshore detail: low sun, tide running out.

Foreshore, larger view.


I am getting a clearer vision of how my MA Design research and subsequent work is going to evolve into a far reaching and positive ‘movement’ for many. I want my work to be improved by attending courses and events such as this one, but I am also keen to make a living by it. I haven’t applied for any funding yet, as the actual vision needs to be very focused and clear on who it is for, where it will be, what it is exactly and how it will be applied. I feel that I am so close now.

Writing
I am starting with a book which will be finished by early May and the writing of it will be funded by a crowd-funding campaign. I have been researching about crowd-funding for a while and followed some very successful ones on social media. It is not easy but it is possible. The campaign also identifies the market and is therefore very useful if/when approaching a publisher.

On of my paintings was published in last years 'Earth Pathways Diary'.

I have been looking at the possibilities of self-publishing too. There are many online options; one that has been recommended to me is ‘Lulu’. The initial problem I can see of using this ‘platform’ is that they only produce books with glossy covers. Strangely this bothers me, I expect my book to be beautiful to look at, I have a wealth of images that I can use which include photographs and my own and others original artwork.

Beautiful Books
Even when I used to get my photos developed back in the day of processing labs, I used to prefer the matt finish over the glossy one. So I realise that the aesthetic of the book is as important as the content, to me. I have been looking through many of my own books at home and others in libraries recently, pondering their shape, style, weight, layout etc.

Even the form of the words on the page can be evocative and beautiful.

Page from a 1950's book of the countryside, showing page border detail.

There are many that I own because how they look appealed to me first. There are others, but few, that have comprehensive and valuable text, but are a bit clumsy in their look.

One of the shop displays showing some books back in 2014.

I think the feel of a book and its content are both important. My friends own a shop called ‘Number Seven’ in Dulverton, Somerset and I know that they are persuaded by this too.



A wonderful book that I am working through at the moment. I don't know whether Number Seven stocks this one.

This book I know is stocked there. Such a beautiful cover.

Their bookshelves are full of the most exquisite books, colourful, beautiful and precious. Davina also organises a ‘Walking Book Club’ that takes people out into the surrounding wonderful wild countryside, to discuss the book that they have all been reading.

Photo by Davina Jelley, taken at one of her walking book clubs, a couple of years ago.

The club is open to all, the books are available from the shop, to buy and there is a welcoming atmosphere to all that join in.
So next time I will blog, it will be after my Eden experience. Hopefully I will come back inspired and enthused for setting up more local projects, engaging others and connecting people to place.

(I completed my MA in September 2014 and recorded the last two months of it in another blog called www.thesaltwayfarer.blogspot.co.uk
Please feel free to look at that anytime, as it is from that, that I am where I am now.)