Reading and Writing
‘To read a poem in January is as lovely as to go for
a walk in June’, Jean-Paul Satre
This
quote is the one I tried to find a few blog entries ago and even wrongly
merited it to Yeats. But in researching the author of this quote I came across
many other inspirational words, poems, stories and lyrics. So that was
good.
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| Seasalter beach, looking East with stormy sky. |
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| Sinky mud, leaking wellies. |
Ironically,
in setting up my walking project, I have done less walking, but more reading
and writing than I had ever expected to. I think this may be due to existing time
commitments, but I must admit it is also due to the fear of walking alone in
the countryside.
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| Walking with others and their dogs is a lovely option. |
Living by the sea, here in Whitstable, I am very fortunate to
be able to walk along the concrete promenade that edges the coast, built as
part of the sea defence which stretches from Seasalter to Ramsgate.
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| Walking with company. |
It
is often busy with other people, especially dog walkers, so it mostly feels
very safe to walk alone along the coast. But when it comes to walking along a
country lane, footpath or through woods by myself, I feel a sense of anxiety. I
think it would be good for me to acknowledge this and work out what I could do
to feel more confident, because if I
feel this way, I am certain that I am not the only female feeling this anxiety
when walking alone.
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| Really stormy skies over Whitstable. |
I wonder whether this could become part of the art project
that Arlette George and I have now decided we will do together, to explore
human movement in the landscape. We will look for funding to create a project
that will link two far away places in the UK:
the Ardnamurchan Penisular in Scotland
and Kent in England.
Both areas have a large coastline and lie at the furthest geographical Westerly and Easterly points of the UK.
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| It's amazing what inspiration can come from just looking closely. |
So,
in my mind, to create a dynamic between these places and between the land and
our bodies through the exploration of movement would be great. I don’t know how
the project will look at the moment. That in itself would be part of the
inquiry. How to articulate the project and create something of worth that could
be discovered and used to inform the walking project ‘People-to-Place’ would be
just one outcome. I would hope that the project in itself would lead us to
other less prejudiced conclusions too.
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| Seaweed awaiting the tide to come in. |
The
Landscape as Metaphor
I
attended an inspiring workshop on Saturday, it was held at the Beaney Institute
in Canterbury
and led by Mary Reynolds Thompson.
‘Reclaiming
the Wild Soul’, turned out to be the perfect antidote to the last weekends'
disappointment. From the start we were given a warm welcome and an appreciation
of how we could expect to spend our valuable time. It was made clear what was
to be the subject of our inquiry and guidelines were given so that we were able
to understand the expectations of our group work such as confidentially,
emotional responses and sharing.
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| A close up of the top of a groyne. A mini landscape. |
After
such a disappointing and traumatic workshop held the previous weekend by the
UCA in Margate,
this clarity and recognition of us as individuals was most welcome. Mary led
the workshop with great integrity and generosity.
Mary
lives in California
and so it was a great opportunity to participate in, I think, her only workshop
this year on our soil.
We
wrote about archetypal landscapes, such as deserts, forests and oceans and
rivers. These formed short texts, poems and more. In exploring the landscapes
and in our thoughts how we feel about them, we are able to tap into a deeper
wisdom. The other participants at the workshop were a great group, fully
engaged and inspired by the idea of the landscape as metaphor and I really
enjoyed their company. We all seemed to create beautiful writing.
‘When we connect to the
wild we discover within ourselves the insight of the poets, the power of the
shamans, and an unbridled passion for our precious earth. The wild exists in us
and around us. Enter it and you transform the way you live, work, create and
dream.’
Mary Reynolds Thompson.
She
has written two books on this subject and holds many events. I urge anyone with
an interest to look her and her work up. It is inspiring and deep.
Daily
Practice
Here
is a small snippet of a longer written piece, my response to a poem by Mary Oliver that I had been asked
me to read. The poem was very apt. A couple of questions prompted me to think
about ‘How is paying attention to the world a kind of prayer?’ and ‘How does
this poem make you re-examine your own ‘wild and precious life?’
‘My wild and precious
life; my luck to be here,
Right now, to feel
connected, engaged and open.
Appreciation of it all is
my prayer; I try to remain devout in prayer; even on the greyest day there may
be a rainbow somewhere, a raindrop with all the colours within.’
Clare Jackson
I
listened to a wonderful radio play years and years ago called ‘Spoonface Steinburg’, it was written by Lee Hall and broadcast as a monologue on BBC
Radio 4 in 1997. The music is amazing, with excerpts from
operas, sung by Maria Callas. But the part of me it touched and was able to be
eloquently put was her understanding of what it was to be alive. How she recognised
that everyday actions that we take can all be seen as prayers. I recommend
listening to it, I will do so, soon.
It
was with excitement that I realised that my painting ‘My Path’ is on this weeks
page in the ‘Earth Pathways’ diary.
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| 'My Path', on this weeks' diary page spread. |
I
feel quite proud to see it there and very pleased that it has been put with a
poem by Simon Sawyer called ‘Dream Song’ which I feel really resonates with it.
‘Out of the earth came
wind, and out of the
air came sun, out of the rock came water.
Where they met, spirit
grew,
And trees were born,
The trees dreamed of
birds,
The birds dreamed of song,
the song yearned
To love, and the love grew
strong.’
Simon Sawyer. 2012
Every
day I complete my ‘Morning pages’, a few pages of writing recommended as a
creative tool in Julia Camerons’ wonderful book ‘The Artists Way’. I see this
as my daily practice, this and appreciating what it is, to be.
(I completed my MA in September
2014 and recorded the last two months of it in another blog called www.thesaltwayfarer.blogspot.co.uk
Please feel free to look at
that anytime, as it is from that, that I am where I am now.)
