Showing posts with label Julia Cameron. Show all posts
Showing posts with label Julia Cameron. Show all posts

Wednesday, 17 December 2014

Sunshine






Sunshine
When the sun shines at this time of year it is wonderful. The daylight hours are still getting shorter as we approach the Winter Solstice and any reminder of the bright, balmy sunny days of the summer make me glad.
Bright sunlight captures the beauty of the delicate details.

I have just come back from a fairly short walk along the promenade in Tankerton. I decided that on these rare bright sunny clear winter days, it is better to go out and walk for a short time rather than put off the event to another day. Yes, there are always more ‘useful’ things I could be doing, especially at this busy time of year, but needs must and I have a new reason to prioritise walking.
 
The sequel to 'The Artists Way'.
I have just started reading ‘Walking in this World’, by Julia Cameron. I have had the book for about 7 years, even through my MA, which focussed on how people encounter the world as they walk, but even then I did not think to pick it up and read it. But now is the time, going into the depths of winter and facing decreasing light, I know that this book will guide me.
Walking in this world.

I have got so much out of her other books, including ‘The Artists Way’, that I am really excited to be starting on this journey. I know it will be informative and enjoyable.
Another artist who I am hoping to work with in the New Year is also reading the book at the same time, so I am hoping we can compare notes. ‘Walking in this World’, encourages use of three tools to achieve greater creativity. These are ‘Morning Pages’, ‘Artists Date’ and ‘Weekly Walk’. I do the first two things as this was the practice set up years ago when I read her first book. The last ‘tool’, I have been doing anyway.
Bright sunshine and dark shadows.

So I am hoping that the book will be a good read in the dark evenings and the walks will be a delight in the precious daylight time we have during the winter.

‘Great artists are actually great amateurs,’ she writes in the introduction, ‘They have learned to wriggle out of the seriousness of rigid categorization and allow themselves to pursue the Pied Piper of Delight.’

Light and Shadow
I have thought a lot about my blog entry from last week when I wanted to write about perspectives, and how we can view something from another place.
Whilst walking up at Victory Wood, overlooking the Isle of Sheppey and the wonderful panoramic views that come from being in a new wood, with ‘baby’ trees, I recognised that each season of the year gives us a changing perspective of the place.
The sculpture frames the view back inland.

Myself and a couple of good friends walked up to the main sculpture that overlooks the view and we shared hot coffee and home made cake. It was so cold; we were wrapped up in scarves, gloves and hats. Back in the summer in that same place I had tried to get some shade and watched quietly as a stripy caterpillar worked its way slowly across the sculpture.
Prism people.

We didn’t hang around for long this week as even the dog started to shiver after just a few minutes, the wind coming off the sea was bitter and we knew we needed to walk to keep warm.
We walked around the plateau towards the established, older woodland at the West edge and went into it.
 
The woods on the west side of Victory Wood.
It was a real contrast from the last time I had ventured in. That time, it was a respite from the burning high sun, we went into the much needed cooler shade, following the path, but the woods scale was unknown, I hadn’t brought my map with me then and had no idea of the size. I remember I was wearing sandals that day and my feet were almost constantly being bitten by large wood ants if I stood still for any amount of time.
But on this cold winter day, as we entered the woods, I could immediately see through the bare skeleton trees to the surrounding hills. 
 
Clearer visibility through the trees allowed recognition of the surrounding hills.
The visibility was great; I was able to locate myself in the wood, recognising the topographical features in the distance, through the trees. Plus there were no ants that I could see that could target my toes and set me squealing and running away.
The sunlight created bright beams on the floor of the wood and trees themselves.

I was immediately aware of the sunlight driving a bright channel through the trees. It lit up lines across the leafy floor and shone brightly on tree trunks and other objects in its path.
The contrast of light and shade was fascinating.

The light shone strongly through the wood, it reached the furthest places, even if it was just a sliver of bright white reflected on the bark, it could be seen clearly in the distance.
Likewise shadows were cast around the wood, creating some very strong dynamic forms onto the horizontal and vertical surfaces.
 
Tree shadows on and over other trees.
The leaves themselves acted as a neutral colour to this strong play of light and dark, revealing a couple of times, wonderful inconspicuous gems.
Spot the mushroom!

I came across a mushroom poking its way through the  leaf ‘litter’, a yellow chestnut leaf in a sea of brown oak leaves and emerald green lichen ‘climbing’ its way up a tree trunk.
Bright green moss and lichen at the base of a tree, by the path.

Looking up as I walked along the path I could clearly see the sky where the trees were less dense and remembered this was an important marker for the path and reminded me of the only way I was able to find my way home one very dark night when I lived in Berkshire.
Path showing finer overhead tree canopy.


Salvation
Back then, the nearest pub was in a neighbouring village and we had walked there in the dusk, through the woods, with the greying sky reflected in the puddles along the track. On the way home, there was no moonlight at all; there was dark and a darker dark, which were the trees in the wood. We were able to find our way home by looking upward, following the track from above, seeing where the darkest dark, the trees, was the thinnest.


A beloved and dear friend who is now sadly no longer with us, also got lost in the woods that night. She ended up sitting by a tree, upset and forlorn, expecting to find her way back by first light. She delightedly told me the next day that her cats had saved her from a cold night in the woods. She had been resigned to wait but then she heard her cats meowing and called them to her. They then walked in front of her meowing the way forward until she saw her house. 

 

Time, seasons, scale, light and dark, all of these aspects and more can affect our perspective; it is not just the direction in which we are walking that can affect the view of where we are. Walking is a gift, if we are able to physically move, we must, and in doing so we can get a whole new perspective on life…  

Fungi, moss, lichen and light.
         
 (I completed my MA in September 2014 and recorded the last two months of it in another blog called www.thesaltwayfarer.blogspot.co.uk
Please feel free to look at that anytime, as it is from that, that I am where I am now.)

Wednesday, 19 November 2014

Reading and Writing




Reading and Writing

‘To read a poem in January is as lovely as to go for a walk in June’, Jean-Paul Satre

This quote is the one I tried to find a few blog entries ago and even wrongly merited it to Yeats. But in researching the author of this quote I came across many other inspirational words, poems, stories and lyrics. So that was good. 
Seasalter beach, looking East with stormy sky.

Sinky mud, leaking wellies.
   
Ironically, in setting up my walking project, I have done less walking, but more reading and writing than I had ever expected to. I think this may be due to existing time commitments, but I must admit it is also due to the fear of walking alone in the countryside.
Walking with others and their dogs is a lovely option.

Living by the sea, here in Whitstable, I am very fortunate to be able to walk along the concrete promenade that edges the coast, built as part of the sea defence which stretches from Seasalter to Ramsgate.
Walking with company.

It is often busy with other people, especially dog walkers, so it mostly feels very safe to walk alone along the coast. But when it comes to walking along a country lane, footpath or through woods by myself, I feel a sense of anxiety. I think it would be good for me to acknowledge this and work out what I could do to feel more confident,  because if I feel this way, I am certain that I am not the only female feeling this anxiety when walking alone.
 
Really stormy skies over Whitstable.
I wonder whether this could become part of the art project that Arlette George and I have now decided we will do together, to explore human movement in the landscape. We will look for funding to create a project that will link two far away places in the UK: the Ardnamurchan Penisular in Scotland and Kent in England. Both areas have a large coastline and lie at the furthest geographical Westerly and Easterly points of the UK.
It's amazing what inspiration can come from just looking closely.

So, in my mind, to create a dynamic between these places and between the land and our bodies through the exploration of movement would be great. I don’t know how the project will look at the moment. That in itself would be part of the inquiry. How to articulate the project and create something of worth that could be discovered and used to inform the walking project ‘People-to-Place’ would be just one outcome. I would hope that the project in itself would lead us to other less prejudiced conclusions too.
Seaweed awaiting the tide to come in.



The Landscape as Metaphor
I attended an inspiring workshop on Saturday, it was held at the Beaney Institute in Canterbury and led by Mary Reynolds Thompson.
‘Reclaiming the Wild Soul’, turned out to be the perfect antidote to the last weekends' disappointment. From the start we were given a warm welcome and an appreciation of how we could expect to spend our valuable time. It was made clear what was to be the subject of our inquiry and guidelines were given so that we were able to understand the expectations of our group work such as confidentially, emotional responses and sharing.
A close up of the top of a groyne. A mini landscape.
After such a disappointing and traumatic workshop held the previous weekend by the UCA in Margate, this clarity and recognition of us as individuals was most welcome. Mary led the workshop with great integrity and generosity.
Mary lives in California and so it was a great opportunity to participate in, I think, her only workshop this year on our soil.

We wrote about archetypal landscapes, such as deserts, forests and oceans and rivers. These formed short texts, poems and more. In exploring the landscapes and in our thoughts how we feel about them, we are able to tap into a deeper wisdom. The other participants at the workshop were a great group, fully engaged and inspired by the idea of the landscape as metaphor and I really enjoyed their company. We all seemed to create beautiful writing.

‘When we connect to the wild we discover within ourselves the insight of the poets, the power of the shamans, and an unbridled passion for our precious earth. The wild exists in us and around us. Enter it and you transform the way you live, work, create and dream.’ 
Mary Reynolds Thompson.

She has written two books on this subject and holds many events. I urge anyone with an interest to look her and her work up. It is inspiring and deep.

Daily Practice
Here is a small snippet of a longer written piece, my response to a poem by Mary Oliver that I had been asked me to read. The poem was very apt. A couple of questions prompted me to think about ‘How is paying attention to the world a kind of prayer?’ and ‘How does this poem make you re-examine your own ‘wild and precious life?’

‘My wild and precious life; my luck to be here,
Right now, to feel connected, engaged and open.

Appreciation of it all is my prayer; I try to remain devout in prayer; even on the greyest day there may be a rainbow somewhere, a raindrop with all the colours within.’ 
Clare Jackson

I listened to a wonderful radio play years and years ago called ‘Spoonface Steinburg’, it was written by Lee Hall and broadcast as a monologue on BBC Radio 4 in 1997. The music is amazing, with excerpts from operas, sung by Maria Callas. But the part of me it touched and was able to be eloquently put was her understanding of what it was to be alive. How she recognised that everyday actions that we take can all be seen as prayers. I recommend listening to it, I will do so, soon.

It was with excitement that I realised that my painting ‘My Path’ is on this weeks page in the ‘Earth Pathways’ diary.

'My Path', on this weeks' diary page spread.

I feel quite proud to see it there and very pleased that it has been put with a poem by Simon Sawyer called ‘Dream Song’ which I feel really resonates with it.

‘Out of the earth came wind, and out of the
 air came sun, out of the rock came water.

Where they met, spirit grew,
And trees were born,

The trees dreamed of birds,

The birds dreamed of song, the song yearned
To love, and the love grew strong.’ 
Simon Sawyer. 2012

Every day I complete my ‘Morning pages’, a few pages of writing recommended as a creative tool in Julia Camerons’ wonderful book ‘The Artists Way’. I see this as my daily practice, this and appreciating what it is, to be.

(I completed my MA in September 2014 and recorded the last two months of it in another blog called www.thesaltwayfarer.blogspot.co.uk
Please feel free to look at that anytime, as it is from that, that I am where I am now.)