Showing posts with label observation. Show all posts
Showing posts with label observation. Show all posts

Friday, 29 September 2017

Observation and sensing the world around us.


It is truly wonderful to be able to walk at this time of year. We have already had a few grey skies and chilly days now to really appreciate the bright sunshine and warming sun of a fine autumnal day. Yesterday was such a day. The sun shone bright and the clouds that caused the overnight rain scudded high above us as we climbed up Holly hill, Dargate.

Looking out and down the hill.


We stood to one side of the Bracken fringed path to let a group of walkers past and in our stopping we were able to marvel at the view down the hill, across the fields towards the Thames estuary. I could pick out the curve of the coast from Seasalter westwards and locate a few boats moored on the Swale at Oare. Looking beyond them, the atmospherics allowed a series of clear outlines of varying horizons, similar to a theatre set, mapping the distances away from us.

A naturally framed view.


One of my favourite books, 'Country Bunch- an anthology of the countryside' by Miss Read has a piece by Eleanor Farjeon on the poet Edward Thomas. In it she explains how Edwards father had given his children a piece of sage advice, to 'keep your senses fresh' and how Edward was able to do this, even as a soldier in the first world war.

Stormy sky clearing more sunshine.


'He could not live a day in the open air without being given something to 'enjoy enormously'; clear weather, flat shingle, a line of trees, the tallness of a church tower on a marsh, even a row of huts- he liked what he saw. And knew that nobody else liked it as much as he did.'

This is how I feel on such a gift of a warm, bright and sunny early autumnal day. I feel by making time and walking in nature, slowing down and allowing myself to observe, to 'look beyond looking', I can really feel connected to the place. Walking with others especially other observant artists is a very simple and enjoyable pleasure.

Walking speed, amongst the fallen leaves.
These lager fir trees on the top of the hill are a local landmark.


We stood leaning against a farm gate on the way back down the path and were happy to chat and point out to each other what we could see. Large black birds, perhaps crows, were spiralling up ahead of us, making a great noise and commotion. The longer we looked the clearer it was that they were mobbing a couple of larger Raptor type birds, who nonchalantly spiralled up higher into the sky.

Looking through the abundance of Rose hips, by the path edge.


A couple of Dragonflies and a Peacock butterfly flew over and displayed their own precious beauty to us. It did not go unnoticed. We 'enjoyed enormously' both the breadth of the distant view and the closer treasures that we observed.

The views were extensive. 


Our senses were awakened and we could clearly hear and feel the crunch of the abundance of acorns that covered the path back down to the car. The wind started up with a chill in it and we gratefully got into the sun-warmed car to find a local pub to have lunch.

The path out of the woods, thick with fallen acorns.


I will be opening the doors of my beautiful straw bale studio once again this year to exhibit my own and Alison Lees work as part of the Canterbury Festival, the theme is still 'The Spirit of Place' as it is an ongoing art project based in Kent.
You can keep up to date with our explorations and discoveries by looking at www.facebook.com/EastKentSpiritOfPlace

Inked imprint of feathers, found on a previous walk.


Open times are 11-5 daily on the weekends from 14-29th of October. We can be found at house number 25 on the Whitstable trail. Please see the webpage www.ekoh.org.uk for more information.

 I can be contacted on 07432679164 or clare@people-to-place.co.uk

Friday, 16 June 2017

Our place; in time, location and nature.


I need art. I think we all do. Art in its widest description: that is creative writing, film making, poetry, dance, performing arts and visual arts such as photography, painting and printing, land art, sculpture...the list could go on and does.

Peacock butterfly basking in last Octobers sunshine.

 With the horrors that have been in the news recently it can be difficult to know what to do, think or behave. But society has always had a place for art and if you have a think about other cultures and their perception of art, this could include the fascinating Wabi Sabi of Japan, delicately illuminated Celtic texts or the raw songwriting and performance art of Icelandic Bjork.


Dandelion clock covered in morning dew.


A sample of last years Artists Open studio work on display


But one way I have been keeping sane amongst the chaos over the last year has been to produce more art, attend more workshops and share my knowledge and skills with others. Art can allow you to be in the moment, to achieve something in the time given and encourage you to see a clearer, brighter picture of the world.

Last October I exhibited my artwork as part of the Canterbury Festivals', East Kent Open Houses trail. Lots of people came to view the work, with only one person this time asking if it was a hobby.(!)
I had many different types of artworks on display, from pewter casts to printing and painting as for the last year I had been working hard, in collaboration with another artist, Alison Lees on a project entitled 'Spirit of Place'. This had led us to explore more deeply the places in which we live in Kent.


Tiny feather underfoot.


Alison lives inland in a rural area with the undulating downs and ancient woodlands on her doorstep. In contrast I live on the coast, by the pebbly beach that is endlessly shaped and reshaped by the tides. The subtle changes in the seasons are less conspicuous here. I am possibly more likely to recognise the build up of tourists visiting the coast at certain bank holidays, than I am to notice the Seakale sprouting through the pebbles or see the first Swallows of the season.
Flint, Chestnut and leaf collection from a seasonal walk.

Creating a Cuttlefish mould for a Pewter cast.



Alison is surrounded by the endless physical changes that our agrarian calendar enforces onto nature as well as the consistent pattern of growth and decline that is nature itself. A walk up the path through the field opposite her home cannot be achieved without understanding exactly which season we are in and even what part of that season; asking ourselves questions like 'are the Skylarks rising yet?', a walk in the woods can indicate exactly the timing, speed and quantity of seasonal growth. As we walk we comment on the abundance of delicate little Wood Anemones, the deep violet blueness of the Bluebells, the birdsong and our amazement at the sheer force of nature that powers the plants up and through the deep leaf litter that covers the floor of the wood.


My exhibits included an 'Cabinet of Curiousity'



What I wanted to achieve in the October exhibition was a contrast of work, to show the difference of the places. I did this by consciously walking the land, picking up and collecting 'treasures' from the walks, which I used to create new artworks that allowed other people to share my insights and hopefully get them out there seeing with an artists eye and appreciating our place in time, location and nature.
A linocut print entitled 'Blue Coast'



I will be opening the doors of my beautiful straw bale studio once again this year to exhibit my own and Alison’s work as part of the Canterbury Festival, the theme is still 'The Spirit of Place' and is an ongoing art project based in Kent. You can keep up to date with our explorations and discoveries by looking at our facebook page
Open times are 11-5 daily on the weekends from 14-29th of October. We can be found at house number 25 on the Whitstable trail. Please see the webpage www.ekoh.org.uk for more information.

 I can be contacted on 07432679164 or clare@people-to-place.co.uk