Recognising the spirit of place.

I believe that part and parcel of making artwork is the need to regularly be inspired. To find this, I walk, often with other artists and it goes a long way to fulfil this need. Walking in nature, throughout the year provides me with plenty of opportunities to observe the larger seasonal changes and recognise the smaller more intricate details that may be overlooked by others.

Walking upon a path covered in white petals.

Seeing the footpath coated with white blackthorn blossom petals, looking like a wedding path and remembering the same path crunching underfoot last autumn as we stepped onto a thick carpet of acorns makes me happy! I see connections, recognise the changes and their regularity gives me peace, hope and inspiration.

Making prints from found objects on a recent walk.

I have been making and teaching 'Gelli-print' mono-printing for over a year now and I find walking and picking up small reminders of that walk, the time and the place can be used directly in subsequent printing sessions. The prints can then be looked back on with affection and become a direct link to another, past experience.

Earlier spring walk in Adisham, along a holloway.

I am obviously one of many artists who obtain inspiration through walking outdoors and connecting to the place. Last Monday evening I went to a poetry reading and performance by an artist who back in 2011 had a 6 week residency in a beach hut on Tankerton Slopes, Whitstable, Kent. As a long term resident of the area and a fellow beach hut owner, I was fascinated to hear her take on the area and see if and how she had been 'affected' by the spirit of place.

Detail of moss upon a marker stone in the wood.

We had unfortunately missed her performance the previous week in Whitstable, so we travelled down to Deal to the Astor Theatre especially to see her. She performed her poetry dressed in an iridescent gossamer gown, which looked like the deep changing sea that she had watched during her residency. The poetry was totally evocative of the place. She had captured the unique essence of this wonderful limbinal space.

A couple of books by Nancy Charley inspired by her Tankerton residency,

As I sat listening I thought she notices everything, from recognising both the resident crows and visiting tourists, their colours, behaviour, their noises...and the change of light on the sea, the bounty washed up on the beach, the promenaders, the dog walkers, the skein of geese, the migration of swallows..all that and more was acknowledged. The performance was entitled 'The Water Watcher', I enjoyed her work immensely. It was well observed, articulate and inspiring. Wonderful!

The Water Watchers Blessing by Nancy Charley.

My next open studio event will be on Saturday the 16^th of June. It will show the new progression on from my current art project 'Hearth and Home'.

The exhibition is open to all from 11-5pm in my straw-bale studio.

The studio has a Facebook page of its own, to look at its 'life story', look up www.facebook.com/Green-Build-Tankerton

10% of all sales of this 'Hearth and Home' artwork will go to our local homeless charity in Canterbury, 'Porchlight'.

I am always inspired by the sunset. Truly wonderful.

I love to teach others and facilitate space for them to create, so I run art and design workshops throughout the year. These can be either 1:1 or for a small group and I charge from £15 per hour.

The next ones for the exciting and accessible art of Gelli-printing are on most Wednesdays and Fridays. throughout May and June. They run 11-2pm and cost £40 pp including all materials and refreshments.

My own personal art page can be found at www.facebook.com/RoseClarityArtist I can be contacted on 07432679164 or clare@people-to-place.co.uk

Autumn

 Autumn

I am going to start this blog with a quote from a friend, Alison Lees, who, as a fellow artist is incredibly sensitive to her surroundings and aware of the changes that the seasons bring.

‘Yesterday as I was outside, I noticed a particular movement in the trees. We looked up and stared and it was very clear, right then and there that Autumn walked in! Amazing and beautiful.’

Autumn always brings with it mixed feelings for me. I am disappointed by the darker shorter days and the general chilliness in the air, but I am enthralled by the beautiful display of colour in the foliage of both the trees and plants.

Early morning autumn sunlight on the wibbly-wobbly walls.

Autumn sunlight is low and sharp. It glows. This morning it shone on the side of our wibbly-wobbly straw bale garden studio and it highlighted the texture of the wall, the brushstrokes of the lime-wash and the beauty of the plum tree in its shadow form.

 

Shadow plum tree on cob rendered walls.

I find this time of year is a good time to focus on the detail, the wonder of it all, as we go into a slower mode of being.

 

Detail.

Autumn slows me down. It feels like there is less time to want to fit ‘it’ all in. I look forward to the darker evenings so that I can get cosy in the house and not expect so much of myself.

Pace

Autumn is my slow down signal. I always used to try and ‘keep the pace’ up at this time, but now I tend to recognise that I need to slow down. If I don’t, I start getting the inevitable cold and cough and then things quickly start to go pear shape. That is one of the great things about walking, it is all about pace. Walking pace is, as a human, our natural speed to observe and understand our surroundings.

Last week I collected my first sweet chestnuts of the season, these were found by remembering where I saw the trees last year, walking up to and around them and looking down into the recent leaf litter and spying the bright green spiky balls. This can't be done virtually, digitally or any other way than to be present. I had to go there myself and seek them out.

One of Jo Barkers harvest mandalas, not chestnuts, but beautiful.

In making this decision to go and harvest these seasons’ gifts I was allowing myself the time and the commitment to be there, to pace myself to the season, to walk, look, recognise and gather. It could be seen as a bit trivial, but I believe the more we engage with the land around us in a seasonal way the more we begin to appreciate our connection with it and nature itself. In this time of gathering in the harvest in preparation for the colder darker days ahead it is only honest to recognise that we too are animals and will need to change our behaviour in tune with the seasons.

Process

It is with interest that I type this word and only just now, realise that that it has two meanings. I was going to write about the process of preparing a body of new work for the imminent Artists Open Studio event that starts next week. But as I wrote the word, I read it as process, as in to ‘walk in procession’. Both are about movement, the first one is a movement of thought that takes ideas through a series of changes to become something else. The ‘walk in procession’, speaks for itself, it is movement.

 

Above are two paintings reflecting the spirit of that place. Top- Canterbury Catherdral, Bottom- St. Margarets' Bay.

The project that I am working on is about how people connect to place through walking. This will involve them encountering exterior space as they walk. Trained as a spatial designer, I know the influence of how an interior space can influence the mood of someone either walking into/through it or spending some time in the space.

Detail of 'Cathedral secrets'. Playful movement.

Just imagine if we all became re-tuned in to our outside environments.

We may be able to recognise the ‘tricks’ of the trade; use of colour, finish, proportion etc that retail designers, for example use on us. We gradually lose this ability to see, the more familiar and safe we feel in that environment. Major supermarket chains use these tricks to allow us to choose our ‘favorite’ store and therefore feel safe enough to spend our money there, on a regular basis. If we were able to learn to recognise, at a walking pace, all that nature, the land and the changing seasons had to offer, we could become much richer without spending a penny!

Playing

The process that I have found to be the most successful with creating a new body of work is very playful. I have looked to my older original paintings to inspire me.

 

'I Dream', original painting.

I have always painted freely. I have never come to the canvas with a preconceived idea of what to paint, I wouldn't know what to choose for a start! I like the meditative quality of painting; the choosing of the colours, the paintbrush size, the way I mix paints together, the flow. So, in looking to my existing paintings for inspiration I came across a series of ‘motifs’ that frequently occur in my work. These are trees, birds and paths.

 

Working with motifs.

So I set out to simplify the originals by tracing over them, creating a basic line drawing from the positive and negative spaces on the canvas.I have written about this way of looking before, 'the space between'.

 

Looking at positive and negative space.

These I reduced down and then used carbon paper to transfer onto another material to colour in. The whole process has been like a form of Chinese whispers. The end result has been a joy to colour in with no overarching angst, just a playful experiment. The pace of the work has suited the season. It has transformed an older image into something simpler, quite new and fresh.

Working from my original designs.

I have started a Facebook page with a pseudonym, why? well why not? It is playful and fun. It can be found here.

Poetry

As the evenings get darker I find that I start to look for good poetry pieces to snuggle up with, as I get cosy. They can be beautiful to look at too, as the next photo shows.

 

These are Native American Lyrics; poetical verse.

I suppose that the words could be seen as processing across the page. Now that’s a thought…

I wanted to leave you with one other, a quote by Yeats but I cant find the correct words, it goes something like this ; to read a good poem in January is equal to a summers walk in June.

But in researching the correct words I came across these instead;

‘We live in a fast-paced society. Walking slows us down.’ Robert Sweetgall 

That will do, point made. I am off now for a walk.

(I completed my MA in September 2013 and recorded the last two months of it in another blog called www.thesaltwayfarer.blogspot.co.uk

Please feel free to look at that anytime, as it is from that, that I am where I am now.)