Familiarity
I
have just come back from a 5 day break in Cadiz. It was the third
time I have visited this beautiful city and at last I felt a sense of
familiarity with its streets. The first time I visited I remember
thinking this was an impossibility.
The streets seemed to have no plan, they criss-crossed the peninsular, some stopped abruptly in a dead end whilst others opened up unexpectantly onto tree filled squares. In my imagination I had compared this place to a cleaner, friendlier and sunnier version of Terry Pratchett’s Discworld city, Ankh Morpork.
At home in Cadiz. |
The streets seemed to have no plan, they criss-crossed the peninsular, some stopped abruptly in a dead end whilst others opened up unexpectantly onto tree filled squares. In my imagination I had compared this place to a cleaner, friendlier and sunnier version of Terry Pratchett’s Discworld city, Ankh Morpork.
The
difference between orientating yourself in a northern European city
and this one, 59 miles away from Tangiers, Africa as I see it is one
of scale and proportion. The climate and topography are obviously
very different and these factors have influenced the evolution of the
street system, the buildings and therefore our familiarity with its
form.
Details of places once visited become familiar landmarks. |
Cadiz
gets very hot and one way of creating shady passageways amongst the
city is to build taller buildings, close together, so that the sea
air is funnelled through the streets, allowing for a cooler more
comfortable city environment.
I
have grown up in the UK where in comparison, the climate and
topography is variable and in general the streets are wider and
buildings lower than those in Cadiz and this allows landmarks to be
more easily recognised from a distance.
Whether they are manmade or natural these landmarks have given me a spatial awareness by which I have been able to map my environment. Even in a city like London, the vista is wide enough to be able to pinpoint a landmark and orientate myself. The scale of London is larger than that of Cadiz which is more of a pedestrian or human scale model.
Path in the Botanical gardens. |
Whether they are manmade or natural these landmarks have given me a spatial awareness by which I have been able to map my environment. Even in a city like London, the vista is wide enough to be able to pinpoint a landmark and orientate myself. The scale of London is larger than that of Cadiz which is more of a pedestrian or human scale model.
Orientation
One
of the difficulties of navigating around Cadiz is that it is set out
on a peninsular away from the mainland of Spain. This creates many
views through the streets that look similar; multiple narrow streets
have a brilliant glow at the end, as the space becomes expansive and
the sun on the ocean glints in the distance.
Looking out to sea. |
Laurie
Lee in his novel, ’As I Walked Out One Midsummer Morning’
described the city well.
‘ Cadiz,
from a distance, was a sharp incandescence, a scribble of white on a
sheet of blue glass, lying curved on the bay like a scimitar and
sparkling with African light.’
His
other descriptions of the city are detailed and don’t paint the
place as a pleasant destination at all. I am glad to say that it has
changed; it is quite beautiful and charming now, with wonderful
architecture, food and culture.
Door detail. |
But
on this visit, once I had relooked at my old map and taken note of
the shape of the peninsular and remembered familiar ‘hang-outs’
from previous years, (such as various bars, the beach and market
areas), it took me a while to orientate myself but then it was clear!
I continued to add information on this trip to my past knowledge of
the place and suddenly it felt familiar.
This was a very comforting feeling to achieve and made me realise once again how important my project could be, connecting people to place through walking, discovering or rediscovering their locality.
Detail from one of the many church facades. |
This was a very comforting feeling to achieve and made me realise once again how important my project could be, connecting people to place through walking, discovering or rediscovering their locality.
Festivals
and Rituals
The
reason why I have visited Cadiz so often in the last few years is
because of my interest in Flamenco. I have always loved the music and
costume, so when a teacher offered classes in flamenco movement 5
years ago, I joined up. Four years ago we travelled out to Jerez, a
neighbouring town of Cadiz and participated in our first Feria.
The
history of the ‘Feria de Caballo’, (Jerez horse fair), goes back
to over 500 years ago, when it was the location for a livestock fair,
which ran from April to September. Over time it grew in popularity
and stands were put up by local wine and sherry producers to sell to
the spectators and participants. The specific dates are based on a
three week timescale after Semana Santa, (the week leading up to
Easter Sunday.)
People
in this area have connected to the place where they live by
participating in this event each year, watching the horses parade up
and down the park and dancing Sevillanas in the surrounding
‘casetas’. This shared experience of an annual event is valuable
to a community in many ways. It can bring people together, build
community, encourage pride in a place and also inspire tourists to
visit.
During
my MA study I researched the history of connection to the land
through ritual use, including processional movement, symbolic
landscape markers and ceremonial gatherings. The feria at Jerez was
very interesting to visit with these aspects in mind.
Here
in the UK there were many more annual festivals that have been lost.
One I am particularly aware of was the ‘Scouring of the White
Horse’ at Uffington in Oxfordshire. Thomas Hughes of ‘Tom Brown’s
School Days’ fame, wrote a book with this title back in 1859 and
depicts the ceremonial annual practice of scouring the chalk cut
horse, so that its white shape can be seen with greater clarity from
a distance.
There is an Iron Age fort up on the hill, just above the chalk figure, it was in this enclosure, named ‘Uffington Castle’, that the festivities took place. His book details all the merry goings on and is an interesting read.
The ceremonial path at Avebury has inspired me to paint. |
The artist Paul Nash took this photo, he was also fascinated by the chalk white horse. |
There is an Iron Age fort up on the hill, just above the chalk figure, it was in this enclosure, named ‘Uffington Castle’, that the festivities took place. His book details all the merry goings on and is an interesting read.
Midsummer
Next
month it will be midsummer and yet again I will quietly lead a group
of people up along a section of the Salt Way path to light a fire and
enjoy being in that moment at that place. Over the last few years it
has become even more special as I share the experience with others
and they all add their own trace and story to the route.
One
lady introduced her daughter to the walk last year and they both
shared a very special experience as the sun set and we sat around the
fire at the top of the hill. The journey back down was lovely as the
lanterns lit up the procession and people were chatting happily as
fireworks went off in the distance at the harbour. I am sure this
year will be wonderful again for the participants and any potential
onlookers.
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