Moving Through
The summer holidays are
nearly over now, just one more week and it is back to routine again. A couple
of days ago I revisited the Turner Contemporary Gallery in Margate to see an exterior art installation
that I had only seen once before at dusk.
Art installation, 'Dwelling', Margate, at dusk. |
It is called ‘Dwelling’ and is one
half of a piece of artwork by Krijn de Koning. The other half is on exhibition
at the Folkstone Triennial, which opens tomorrow and runs until the 2nd
of November.
On a previous visit to the
Turner one Friday evening a few weeks ago, we came across this installation.
It
is situated on the terrace and nestles between the rear bulk of the building
and the concrete access ramp and steps.
Concrete ramp up. |
It is a series of spaces that are human
scale and allow access in and views through the artwork.
Human scale art installation. |
That in itself was
interesting, but to see it on a sunny day in its Technicolor glory was even
better.
It reminded me of a lido, colourful, fresh and fun.
Tomorrow we will
venture to Folkstone to visit the Triennal to see the other half of his work.
The location there couldn’t be more different. The work is situated in
Cliffside Victorian Pleasure grounds. ‘Dwelling’, Folkstone is on the zig-zag
path within a Victorian cave-like grotto on the seafront. For me and my
interest in how we encounter situated objects in the environment and especially
in the landscape as we move through it, this is a great project to visit.
The sky yesterday evening, beautiful layers of clouds. |
Skying
There are lots of things I
like to watch, clouds are one of them. It seems I am certainly not alone in
this preoccupation. Apart from the superb Mondrian exhibition currently at the Turner, there is two other artists work on display.
Downstairs in the wonderful
double height space is an exhibition by Edmund de Waal
named ‘Atmosphere’. He has created a
space which encourages the viewer to lie on the floor and experience his work
from underneath. There are many large linear clear boxes hanging from the
ceiling which are filled with his porcelain vessels.
These boxes seem to float
and create a feeling of clouds and changeable atmosphere depending on the light
and weather conditions outside. He has named the boxes or vitrines as he
prefers to call them, after cloud formations and requests that you
‘Lie on the ground as you do your own skying’.
The 19th century
painter John Constable, refers to the act of ‘skying’ in a letter sent to John
Fisher in 1821.
‘I have done a good deal of skying’, is one of the many quotes, that
De Waal has also used to create a large wall piece.
Lovely description of atmosphere from Ruskin. |
I think this is a quietly
impressive piece of work and would like it in my home!
Then if there were no
clouds on a dull grey day to watch I could look at the wall and find
inspiration, moving my gaze from one quote to another and following the horizon
line the De Waal text makes.
Text horizon. |
No Touching!
Upstairs in the Spencer
Finch exhibition the luminous cloud is not for touching.
This seems pretty
unfair as it is easily within my and my children’s grasp and teases with its
construction.
Cloud detail. |
Wooden pegs hold it together and if they aren’t tempting to
touch, then I don’t know what are. The curator quickly encourages us to feel a
sample of the sheet material that is crunched up and held together by the pegs.
We have done this many times before, but still ask her what it is and feel it
again. It does allow the tactile experience of such a teasing object, but I
wonder if on the last day whether they could just turn their backs for a few
minutes…
(I completed my MA last September and recorded
the last two months of it in another blog called www.thesaltwayfarer.blogspot.co.uk
Please feel free to look at
that anytime, as it is from that, that I am where I am now.)
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